Many frame maker Singapore experts often lament how paintings never fulfil their potential in homes. Frequently, art hangs around the house as opposed to up on our wall surfaces. For starters, framing art usually seems costly and filled with options– a blue mat with a white wood frame or a blue framework with a white mat? Maybe no mat in any way? And after that putting a nail into the wall surface seems like a major sufficient act to warrant some special idea. Before we know it, a dozen Sunday afternoons have rolled by and our wall surfaces are still blank.
Choose the medium
Watercolours, Pastels, Coloured Pencil, Graphite, Charcoal, Pen & Ink
Commonly, watercolours and pastels rest behind a mat or mount card with an aperture to expose the painting, with the whole lot then established behind picture glass. The same generally is relevant to other ‘dry’ media as well.
This is for good sensible reasons in addition to looks. Because of the relatively delicate nature of watercolour or drawing paper, it needs to be shielded behind a mount, if only to stay clear of having to tape it directly to the framework. The glass then gives more security to the picture itself.
With a pastel or charcoal, the glass undoubtedly safeguards the picture just like a watercolour, but the mount is important to maintain the pastel or charcoal from touching the glass, smearing the image and spoiling it.
Oils & Acrylics
With oils and acrylics, the a lot more robust nature of the paint (as soon as dried) and the canvas or board surface areas, normally implies that the requirement for a safety mount or glass is not as essential.
OK, I understand you can paint oils and acrylics on paper and there’s no reason oils and acrylics shouldn’t be framed behind a mount and/or glass, yet it often tends to be a lot more the deviation than the rule.
I recognize likewise that you’ll see lots of oil paintings behind glass in art galleries, yet this is usually a protective procedure to stop curious, sticky fingers and so on, or pure criminal damage, harmful centuries-old artworks.
Commonly, any photo with a mount has a tendency to require a thinner frame, or else it begins to overpower the actual art piece.
This is since the mount card already serves as a ‘framework’ so the picture frame itself is including one more border.
On the other hand, oils and acrylics can take a much larger framework in order to stabilize the truth that the photo shows up right approximately the inner edge of the framework itself.
Frame for the long haul
To preserve a piece with time, matting products must be acid-free, and there should be a dust cover on its rear. Commonly there’s a glass layer over the front, however some firms use acrylic instead. Acrylic has the advantage of being shatterproof and light-weight; on the other hand it can get scratched far more easily than glass. Whatever the material, the key is that it’s been treated to protect from UV rays.